>I’ll tell you someone who was a terrific performer who is generally overlooked when considering the great guitar men – Rory Gallagher. How he didn’t make Rolling Stone magazine’s top 100 guitarists of all time beats me.
Rory Gallagher (pronounced “Ro-ree Gall-a-her”) (born Liam Rory Gallagher, 2 March, 1948– died 14 June, 1995) was an Irish blues/rock guitarist. Born in Ballyshannon, County Donegal, Ireland, he grew up in Cork City in the south of the country. He is best known for his solo albums, and for his tenure in the band Taste during the late 1960s. A multi-instrumentalist who gained a reputation as a gifted and charismatic live performer, Rory Gallagher’s albums have sold in excess of 30 million copies worldwide.
Bullfrog Blues is a ‘traditional’ blues rock tune for which Gallagher is recognised as having the best version. The following are audio only. I picked them because they are the best versions I could find.
Rory Gallagher – Terrific live version
Canned Heat – Monterey ’67
>No cover version tonight. I’ll post a few videos of the remarkable Rory Gallagher.
Rory Gallagher (born Liam Rory Gallagher, 2 March, 1948– died 14 June, 1995) was an Irish blues/rock guitarist. Born in Ballyshannon, County Donegal, Ireland, he grew up in Cork City in the south of the country. He is best known for his solo albums, and for his tenure in the band Taste during the late 1960s. A multi-instrumentalist who gained a reputation as a gifted and charismatic live performer, Rory Gallagher’s albums have sold in excess of 30 million copies worldwide.
>“Get It On” (retitled “Bang a Gong (Get It On)” in the U.S.) was the second UK number one song for the British rock group T. Rex. It was released from their best-known album, Electric Warrior.
While it only spent four weeks at the top in the UK, starting July 24, 1971 (“Hot Love” was number one for six weeks from March-May), it was the group’s biggest hit overall, selling nearly a million copies in the UK. It peaked on the U.S. Billboard Hot 100 at number ten in January 1972, becoming the band’s only major U.S. hit. The song reached #12 in Canada in March 1972.
The Hollywood and Vine version has had less than 200 views on Youtube but it’s actually a pretty good version and the girls have really good voices.
Bang A Gong (Get It On) – Terrific live version
Power Station – what was Robert Palmer (R.I.P.) thinking?
Hollywood & Vine – not bad at all
>“While My Guitar Gently Weeps” is a rock ballad written by George Harrison for The Beatles on their double album The Beatles (also known as The White Album). The song was ranked #135 on Rolling Stone’s list of the 500 greatest songs of all time. The song was also ranked #7 on “Rolling Stone”‘s list of the 100 greatest guitar songs of all time.
The Original – The Beatles
Sad Loss – Jeff Healey
This guy is great – Jake Shimabukuro
>“Money (That’s What I Want)” is a 1959 hit single by Barrett Strong for the Tamla label, distributed by Anna Records. The song was written by Tamla founder Berry Gordy and Janie Bradford, and would become the first hit record for Gordy’s Motown flagship label.
Anna Records was operated by Gwen Gordy, Anna Gordy and Billy ‘Roquel’ Davis. Gwen and Anna’s brother Berry Gordy had just established his Tamla label (soon Motown would follow), and had the ANNA label in 1960 distribute nationally this single to meet the demand which was a resounding success in the Midwest. The song features Strong curtly demanding that money is what he needs, more than anything else. The single became Motown’s first hit in June, 1960, making it to #2 on the US R&B charts and #23 on the US pop charts.
The song has been covered by a plethora of artists, including Buddy Guy, The Beatles, John Lennon during his solo career, Dave Matthews Band, The Kingsmen (US pop #16), The Rolling Stones, Led Zeppelin, The Doors, Pearl Jam, Jerry Lee Lewis, The Flying Lizards, Shonen Knife, Scissor Sisters, Secret Machines, The Sonics, The Smashing Pumpkins, Hanson, Cheap Trick, Josie and the Pussycats, Great White, RC Succession, The Blues Brothers, The Avengers, and Motown labelmates The Supremes, Jr. Walker & the All Stars, The Miracles, Etta James, Jimmy Barnes, Boyz II Men and The Pretenders.
The song was also featured in the movie Animal House in which it was performed by John Belushi. When the Blues Brothers band covered the song 18 years later on their Blues Brothers & Friends: LIVE! From Chicago’s H.O.B album it was performed by John’s brother Jim Belushi in the role of Brother Zee Blues along with Elwood Blues and Sam Moore.
Also, the song was used in the Beatles biopic Backbeat performed by a band composed of alt-rock musicians (including REM’s Mike Mills, and Nirvana’s Dave Grohl. It was mimed in the film by the actors playing the Beatles.
The British film The Bank Job featured the song as covered by The Storys, who were also featured as the wedding band in an early scene.
The song was listed as #288 on Rolling Stone’s 500 Greatest Songs of All Time.
The Original – Barrett Strong
The Greatest Cover – The Beatles
And who can forget The Flying Lizards’ version?
>Can someone please tell me what they like about Kanye West?
His music is execrable.
He carries on like a jerk.
He’s as ugly as a hat full of arseholes.
Who the heck voted this guy not one, not two but twelve Grammy Awards?
Now you might be asking yourself whether I’m just too old and unhip to ‘get’ what it is people like about Kanye West.
And you’d be right. I am too old and unhip to get it.
But here’s something that you might not suspect if you’ve read this far.
I have seen Kanye West live in concert.
That’s right. Live in concert.
Not that I wanted to.
He was a support act for a proper band – U2.
Let me give you the tip. His performance was truly terrible. That surprised me somewhat given all the hype about him.
Given a choice between going to a Kanye West concert and going surfing – which I also hate – I’d choose surfing.
Unless someone had a radio playing Kanye West.
That’d be the pits.
>“Come On Feel the Noize” is a hard rock song originally released by Slade in 1973.
Written by Jim Lea and Noddy Holder and produced by Chas Chandler, “Cum On Feel the Noize” was Slade’s fourth number one single in the UK and their first to enter straight at number one. As a single from Slade it was a follow-up to “Gudbuy t’Jane”, a #2-hit in the U.K., kept off the top notch by Chuck Berry’s novelty single “My ding-a-ling” and later again by another novelty hit, “Long haired lover from Liverpool” from 9 year old Little Jimmy Osmond.
“Cum On Feel the Noize” entered at the top slot in the U.K.charts, was quite a rare feat at the time and was the first time this had happened since The Beatles with “Get Back” in 1969. It went on to spend four weeks at the top of the chart in March 1973. Typical of Slade’s releases at the time, it fared less well in the USA where it would only peak at #98 on the Billboard Hot 100. The song actually inspired Kiss to create their popular trademark rock anthem “Rock and Roll All Nite”.
The Original – Slade
Great cover version – Quiet Riot